Resolver by Veruca Salt

The very nature of a break-up album is that of catharsis, that journey the artist takes you on from the first note to the last second with the whole gamut of emotions in-between. The music becomes your guide through some intense feelings. Some of the greatest, most critically acclaimed albums ever recorded have been inspired… Continue reading Resolver by Veruca Salt

Beaucoup Fish by Underworld

I tried so hard to get away from Trainspotting. It belonged to my brother, my sisters, their friends. Somehow, I felt it couldn't belong to me. I was at Cumbernauld High School, still trying to create myself, work out what I liked and what I didn't like. Now, here's the important detail: what I liked… Continue reading Beaucoup Fish by Underworld

Tinderbox by Siouxsie And The Banshees

I always knew where to find new music. Sometimes, that new music came from old bands long since gone. As a teenager in search of a perspective grander than what I saw outside the window of a council house in Cumbernauld, I'd find myself turning to music and books to give me something that wasn't… Continue reading Tinderbox by Siouxsie And The Banshees

Your New Favourite Band by The Hives

Some bands are too fun to be denied. Fundamentally, for me, there's something really exciting about a cool-as-fuck garage rock band. Their music is a loud racket, the sound of my emotions. These bands look cool with their music playing, just as cool when they stand for photographs. The Donnas. The Cramps. The Kills. Black… Continue reading Your New Favourite Band by The Hives

Vibrate You by King Adora

King Adora arrived before quickly vanishing completely, a standout cameo in a really shit film. Though they're gone, Vibrate You is still here, always somewhere close to me. Hands up if you form emotional connections with albums? 2001 was a strange time which demanded strange music made by odd people. I knew I wanted to… Continue reading Vibrate You by King Adora

Benefactor by Romeo Void

Let's have it right: no other band sound, or made sounds like Romeo Void. It isn't just the saxophone or the synths. Romeo Void had something else that set it apart from other songwriters and musicians - her name is Debora Iyall and her writing was fundamentally rooted in poetry, while her appearance was striking… Continue reading Benefactor by Romeo Void

Alisha Rules The World by Alisha’s Attic

I really want to wash those dishes up. 1996 was a vintage year for my CD rack. Keith Flint stood in a tunnel, monochromatic yet brighter and more colourful than anything else around. Britpop approached a zenith, Jarvis Cocker's arse made The Brits relevant, Alanis made us reach for a dictionary to check the actual… Continue reading Alisha Rules The World by Alisha’s Attic

City of Subarus by Tullycraft

Debut albums (like debut novels) contain an entire lifetime of ideas and ambition. The really great ones are those that make everything fit together as neatly as possible. But sophomoric albums? They're a trickier proposition, because with your first attempt you've said everything you've always wanted to say - and if you're lucky enough, you've… Continue reading City of Subarus by Tullycraft

The Bravery by The Bravery

The Bravery were a song and a video but definitely not an album. Goodness, why would I buy that? They weren't my thing at all, so I thought. My opinion was based on nothing other than a photograph of them in NME. Back in the noughties, I tended to identify what I liked and hated… Continue reading The Bravery by The Bravery